Showing 21 items matching women’s fashions
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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie white, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman's white ready -tied bow tie with elastic and metal clips* neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, bow tie black, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A gentleman’s black Bow tie neckties, bow ties, formal wear, fashion, menswear, moorabbin, bentleigh, cheltenham, early settlers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, bow tie white, fixed length, 20thC
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Bow tie, black, elastic, clip, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with neckband and elastic tape with a clip. fastenermenswear, bow ties, fashion, melbourne, moorabbin, bentleigh, cheltenham, polyester, rayon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Object, white metal pill box, 20thC
c1900 Decorative silver 'pill boxes' were popular accessories carried in a small purse by women for evening and special occasions . This 'pill box' was used by a lady in the family of Ailsa Hunt in Moorabbin SSmall decorative silver pill boxes were a common accessory for early settler women in Moorabbin Shire c1900A small rectangular white metal pill box with gold lining, a hinged lid and snap lock machined pattern on lid with beading on edgeclothing, pill boxes, silver, pewter, brass, evening bags, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's silk nightgown c1930, c1930
This lady’s full length cream silk long sleeved nightgown with lace insert around neckline and cuffs is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 1930'sEarly settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families A lady's full length cream silk long sleeved nightgown with lace insert around neckline and cuffs c1930clothing, petticoats, fashion, moorabbin, bentleigh, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's nylon stockings 'Worth', mid 20thC
Leon Worth Hosiery Manufacturer Pty Ltd made nylon stockings for women from a factory in Melbourne until the business was sold 1989.A pair of unworn lady's brown bri-nylon stockings made by 'Leon Worth Pty Ltd' , in the original box.Inside Lid of box : WORTH / 60 DENIER / SATIN STRETCH DENIER / 2 / months written guarantee. On Stocking top : WORTH / SATIN S-T-R-E-T-C-H / 2 X 30 DENIER SEAMLESS / BRI / Nylon / 10 ½ - 11clothing, stockings, hosiery, leon worth pty ltd melbourne, fashion, nylon, bri-nylon, bentleigh, cheltenham, moorabbin -
Flagstaff Hill Maritime Museum and Village
Fur Collar, 1930’S
The donors of this fur collar believe the collar to be between 80-90 years old. It was worn by the donor’s grandmother and mother as an accessory to Warrnambool and district balls and dances. It may have also been worn for warmth! The donors believe the fur would have been purchased in either Melbourne or Toorak. This fur could have been worn by either men or women. This fur collar is representative of fashion accessories in Warrnambool and District in the 1930’s.Fur collar, 1930’s. Rabbit fur collar, wide lapels, very soft fur with dyed pattern of light and dark brown stripes. Collar is lined with a heavy dark green woollen fabric. Between the fur and the lining there is a felt interfacingflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fur collar, fur stole, fur accessory, clothing 1930’s, fashion 1930’s, fashion accessory, rabbit fur -
Kiewa Valley Historical Society
Knife for Ladies Purse, circa mid to late 1900's
This "ladies" pocket knife was used up to the late 1900's by influential and "well off" ladies, not only as a fashion statement but as a practical tool when away from the kitchen/home to peel fruit and provide a cutting instrument for small items. It was a method to show the growing independence of women to skillfully process food away from the home and kitchen. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar)This "lady's "purse" knife was a demonstration of the growing independence of women in Australia and especially in rural areas up to the 1940's. The two World Wars provided the opportunity for women to take over what was traditionally "men's work". This evolution of women's equality in society brought changes to what the traditional role of rural women had been entrenched from first colonisation of Australia. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar). This method of preparation of a good cigar would have been used by wealthy property owners or men of "class"This small one blade knife (lady's) has an "ivory" body containing one small blade. Horizontal lines in "off white" appearance run from one end to the other. One end has a "U" fitting(to provide an anchorage for a chain). This small knife could also have been used by male cigar smokers.ladies pocket knife, small knives, traveller's cutting implements -
Kiewa Valley Historical Society
Table Runner, circa 1920s to 1950s
Historically this item highlights the middle to upper to middle socio economic levels of a rural community in the 1920s to 1950s. The fashion dictated to by the larger cities and towns were for some smaller items of house hold furniture encompassed by homes in the region, not only because of practicality but also for longevity of the item it protected.The significance of this item in showing that although the region was to a small degree isolated from the "latest" fashion of house hold dressage, it was to a certain degree not regional and that the fashion of the day in large cities and towns was instilled through magazines and Country Women,s organisations.Fine cotton table runner. Middle section has a 2cm wide crochet insert around it with another border of cotton around it 2cm wide. All the item is edged with a 7cm wide crochet band.hand craft, furniture dressing, lace, crochet, cotton furniture proctective coverings -
Kiewa Valley Historical Society
Baby's Bonnet
Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This bonnet is very similar is style and fashion to other children's clothing in KVHS collection which indicates this was made during the early 1900's. This has good historical significance because it shows the fashions during the early 1900's which baby bonnets were made by women of the Kiewa Valley. This item also has good interpretive capacity as it adds to the other babies clothing in the KVHS collection and therefore increases the interpretive capacity for the children's clothesCream muslin with 1 cm wide lace around the face and neck. Pin tucks threaded with fine string and 2 tape ties 13 cm long. Also string used to gather the neck edge.baby. bonnet. christening. clothing. infant. -
The Beechworth Burke Museum
Photograph
Taken in the early 2000s, this photograph depicts two men and two women, all holding wine glasses. Everyone is casually dressed and seem to be attending a dinner party at the Burke Museum. The group of four have been identified as A. Robbins, J. Indian, S. Routledge and A. Box.This photograph is significant because of its insight into the social aspect of life at the Burke Memorial Museum during the 2000s. The photograph is part of a large collection of photos from this time period and shows fashion trends, social events and interior design trends of the time. The photograph in an interpretive capacity could also assist in further research into the life and development of the Burke Museum, providing a different perspective on early 2000s social events and their development into the social events of today.Coloured rectangular photograph printed on photographic paper.Obverse: No Exit / Reverse: AGFA Watermark / 6511burke museum, beechworth, 2000s, dinner party, function, recreation, fashion, party, 2000s clothing, community -
Warrnambool and District Historical Society Inc.
Clothing - Fur Coat, early to mid 20th century
This coat came from the McFadyen/Mathieson family. Lois McFadyen' s mother was Annie Beryl Mathieson who married John Harman in Nullawarre in 1939. Annie Beryl died in Macarthur in 1983. The coat may have been made from rabbit fur.This coat is retained as a fine example of an item of women's clothing worn as a fashion statement in the early to mid 20th century.This is a brown fur coat with a collar and long sleeves. The coat is lined with brown material. It has a metal clip at the waist level and has long tapes inside the coat.women's vintage clothing -
Kew Historical Society Inc
Headwear - Wide-Brimmed High Crown Brown Straw Hat, Frank S Tisdale, 1960s
"Calvert Model" hats were designed by Frank Tisdale. A Government Gazette of the State of New South Wales on Friday 7 September 1973 (No.117), page 3941, recorded that: "CALVERT MILLINERY PTY LIMITED (In Liquidation), formerly trading as Frank S. Tisdale.—A first and final dividend is intended to be declared in the above matter. If persons claiming to be creditors have not proved their debts or had their debts admitted by the liquidator by 24th September, 1973, they will be excluded from this dividend.—Dated this 3rd day of September, 1973. P. J. WOODWARD, Liquidator, 32 York Street, Sydney." Therefore the hat must predate 1973, and given that it is in the style favoured by the actress Audrey Hepburn (the style of the hat has been called an "Audrey") the hat probably dates to the 1960s.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned brown straw hat with a downward sloping rim. The design includes brown ribbon at the base of the crown. A label on the inside back rim identifiies the hat as "a Calvert Model".Label: "a Calvert Model"milliners, women's clothing, frank tisdale, calvert model -
Orbost & District Historical Society
magazines, The Lady's Companion, 21.1.1911 ; 25,11,1916
Women's magazines developed rapidly through the 1800's reflecting marketing and social changes. Publications evolved from being journals aimed at the middle class to cheaper, chattier more domestic magazines more widely available. Alice Letitia Swan was the daughter of Edward Swan (tinsmith and plumber at Orbost) and Emma Dinah Jefferson. Alice married Herman Oswald (Ossie) Wehner (blacksmith, Orbost) on 4-4-1923. She was born in 1899 in Omeo and died 14-6-1979, aged 80 in Orbost.(info. from John Phillips)These are early 20th century examples of English women's magazines. They give practical advice on needlework and they evidence the widespread interest in contemporary fashion. In doing so they show what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests in fiction at that time.Two magazines, titled The Lady's Companion. 2424.1 was printed on 21.1.1911 and cost one penny. 2424.2 is dated 25.11.1916 and is titled Leach's Lady's Companion and has a pink cover. Both contain illustrations of the current fashions, interesting facts and selected fiction. 2424.2 : on back in red pen - Miss Alice Swan Nicholson St Orbostwomen's-magazines lady's-companion swan-alice -
Women's Art Register
Book, Rosemary Betterton, Looking On. Images in the Visual Arts and Media, 1987
Essays examining the way images of women advertising, magazines, fine art, fashion and pornography influence attitudes and perceptions about femininity and female sexuality.Booknon-fictionEssays examining the way images of women advertising, magazines, fine art, fashion and pornography influence attitudes and perceptions about femininity and female sexuality.iconography, mass media, body image, self-portraiture -
Whittlesea Historical Society Inc.
Photograph - Panorama, Black and White, Back to Mernda Reunions held at Fitzroy Gardens c.1950's-1960's x 10 photographs
The Back to Mernda reunions were first held at the Mernda Mechanics Institute and later moved to the Fitzroy Gardens. These historical photographs are a record of the many residents past and present who lived in the district. The photographs were taken in the 1950's-1960's. This collection includes ten photographs.10 black and white photographs, panoramic view of a large group of men, women and children looking at the camera, attending a reunion in an outdoor setting, thought to be held at the Fitzroy Gardens, undated, c.1950s-1960s.B. Sheppard, Photographer, 3 Margaret St, Canterburymernda, yan yean south, yan yean, fitzroy gardens, reunions, 1950, 1960, fashion, panoramic photographs -
Flagstaff Hill Maritime Museum and Village
Accessory - Handkerchief, c. 19th century
The handkerchief was on display at Flagstaff Hill reception area from 2008-2105 as an example of fine needlework with a lace pattern typical of the early 1900's. During that era the house mistress would often carry two handkerchiefs, one for blowing her nose and one out on show, perhaps in an apron pocket.This handkerchief is an example of fine handmade needlework. It is also an example of women's fashion accessories in the late 19th and early 20th century.White starched silk handkerchief, square shape, very soft fabric edged with 5cm embroidered net lace. Net was embroidered as a strip then joined at corners. The design is backstitched then the lace has been joined to the fabric using blanket stitch. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, silk handkerchief, fine handcraft, needlecraft, ladies' handkerchief, 1900s -
Flagstaff Hill Maritime Museum and Village
Accessory - Handkerchief, 20th century
This fine lawn handkerchief has machine made lace trim. Although lace was being machine made from the 1600’s the design of the lace on this handkerchief is circa 1900’s. This handkerchief is a representation of fine needlework and women's fashion accessories in the late 19th and early 20th century.White fine lawn cotton handkerchief, square with machine made lace handstitched to lawn. Features two separate types of lace which are carefully cut on the edges. The design of the lace is circa 1900s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, fine fabric craftwork -
Mont De Lancey
Functional object - Stocking Threads, Creschene, Unknown
'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. A brown piece of thick cardboard with five different coloured stocking mending threads wound around branded product cards: white, cream, tan, brown and black. There is a typed explanation piece of paper, see the inscription below. Brands are - 1. The "Creschene" mending Four Strand, Specially made for Lisle, Silk and Art Silk Hose (white thread). 2. Two Steeples Hosiery (black thread). 3. Two samples of Myrene Hose Mending Fashion Shades Superior Quality ( three tan colours). 4. Astor Product Made in Australia, Every Home Super Mercerised Hose Mending. Typed on a piece of white paper, pasted on the card is: 'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. As an extra explanation not related to stockings is typed: Pantees for women were not made until the 1800's. A type called "splits" were then made, and improved by Mrs Amelia Bloomer, to the type we know today.'sewing, sewing equipment, stockings, mending -
Wodonga & District Historical Society Inc
Magazine - Haeusler Collection - Woman's Budget Weekly, Sungravure, 1921
The "Woman's Budget" was published in Sydney, Australian from January 1906 until November 1934. This is issue Number 810, released on July 30, 1921. It includes articles related to Australian and overseas stories and society news, short stories, fashion, handicraft and patterns, recipes and a wide range of advertising. As on this cover, 'I.X.L. Jams' and 'Hean's Tonic Nerve Nuts' were regular advertisers. It was printed by S. Bennett Ltd. in Sydney, Australia who were taken over by Associated Newspapers in 1929.Women's Budget', July 30, 1921 is printed on unstapled newsprint quality paper with a red and black cover featuring a picture of a young girl holding a hoop.non-fictionThe "Woman's Budget" was published in Sydney, Australian from January 1906 until November 1934. This is issue Number 810, released on July 30, 1921. It includes articles related to Australian and overseas stories and society news, short stories, fashion, handicraft and patterns, recipes and a wide range of advertising. As on this cover, 'I.X.L. Jams' and 'Hean's Tonic Nerve Nuts' were regular advertisers. It was printed by S. Bennett Ltd. in Sydney, Australia who were taken over by Associated Newspapers in 1929.women's magazine, women's periodicals, womens social history